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- Kids Shows That Were Actually for Adults
- The 57 Greatest Westerns Ever, Ranked
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- Did 'The Voice' and 'Dancing With the Stars' Name the Right Winners?
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- Kids' Shows You Wish Were Still On
| Kids Shows That Were Actually for Adults Posted:
It's a challenge for the creative people who make TV for kids: How do you entertain the youngsters while keeping the tone sophisticated enough to prevent adults from bolting out of the room? Sometimes, a show can lean so far in the direction of amusing the parents that its "for kids" classification feels inadequate. These are the TV series that tend to fly straight over children's heads and right into the brains and hearts of would-be grown-ups. 'The Ren & Stimpy Show' (1991 - 1995) One of Nickelodeon's three pilot NickToons, "Ren & Stimpy" embedded the charming phrase "You eeediot!" into the minds of an entire generation. Looking back, it seems impossible that the show aired in the cold light of day on a children's network. That's how dark, graphic, and sometimes perverse its jokes could be. Ren the chihuahua and Stimpy the cat became icons of subversive animation during their time in the spotlight. Admit it: You still know every beat of the "Happy Happy Joy Joy" song. 'Animaniacs' (1993 - 1998) "Animaniacs" packed as many pop culture and classic Hollywood references as it possibly could into any given episode, pulling most greedily from the treasure trove of its Warner Bros. Studio pedigree. That's what you get when you put mega-director Steven Spielberg in charge of a cartoon. While the kids sang along to Yakko, Wakko, and Dot's bouncy and sometimes educational songs, the big kids were appreciating the show's pitch-perfect "Goodfellas" parody, "The Goodfeathers," and sneakily off-color jokes. 'The Adventures of Pete & Pete' (1991 - 1996) "The Adventures of Pete & Pete" is another late 20th century Nickelodeon gem, hailing from the same pleasantly weird era for kids' entertainment as some other shows on this list. The live-action comedy had a heavily surrealist bent, making it one of the most unique and creative shows to appear on the network -- Petunia the dancing tattoo! Mr. Tastee, the ice cream man who never took off his cone head! The bizarre suburban adventures of two identically named brothers got the hipster seal of approval from guest stars like Janeane Garofalo, Luscious Jackson, Patty Hearst, and LL Cool J,and even boasted a suitably alt-rock "house band" called Polaris. 'Adventure Time' (2010 - ) Walk into any Comic-Con in any city, and you'll instantly spot attendees of all ages "cosplaying" the lead duo of "Adventure Time," best friends Jake and Finn. The Cartoon Network series has earned praise and awards for its inventiveness and sense of wonder, and its audience is a devoted one. The show's unexpectedly deep themes are exemplified by its setting: The Land of Ooo looks harmless and magical, but it's really a post-apocalyptic wasteland. It's "The Hunger Games" meets the "Care Bears," and is therefore immensely enjoyable. 'The Muppet Show' (1976 - 1981) The stars of "The Muppet Show" are basically the poster children (poster puppets?) for kids' entertainment that adults treasure even more. From the mind of Jim Henson, the prime-time variety show attracted A-list guest hosts like Gilda Radner, Liza Minnelli, Roger Moore, and Gene Kelly to "play the music" and "light the lights" with its motley crew of furry entertainers. Basically, "The Muppet Show" was dinner theater with puppets, and its pun-loving heckler duo Statler and Waldorf were a prophetic precursor to opinionated Internet comments sections. This posting includes an audio/video/photo media file: Download Now |
| The 57 Greatest Westerns Ever, Ranked Posted:  It's fitting that Clint Eastwood and John Wayne both have the same birthday week. (Wayne, who died in 1979, was born May 26, 1907, while Eastwood turns 85 on May 31). After all, these two all-American actors' careers span the history of that most American of movie genres, the western.Both iconic actors were top box office draws for decades, both seldom stretched from their familiar personas, and both played macho, conservative cowboy heroes who let their firearms do most of the talking. Each represented one of two very different strains of western, the traditional and the revisionist. As a birthday present to Hollywood's biggest heroes of the Wild West, here are the top 57 westerns you need to see. 57. 'Meek's Cutoff' (2010)  Indie filmmaker Kelly Reichardt and her frequent leading lady, Michelle Williams, are the talents behind this sparse, docudrama about an 1845 wagon train whose Oregon Trail journey goes horribly awry. It's an intense story of survival that happens to note the marginalized role of women in the patriarchal Old West. Worth seeking out.56. 'El Topo' (1970) Alejandro Jodorowsky's surreal, psychedelic tale virtually invented both the acid western and the midnight-movie cult hit. The director himself plays the messianic title character, a mystical gunslinger who seems to anticipate the characters Clint Eastwood will play in "High Plains Drifter" and "Pale Rider." Imagine a Sergio Leone spaghetti western with the circus atmosphere of a Fellini movie, the surrealism of a Bunuel or David Lynch picture, and the transgressive outrage of an early John Waters movie, and you'll have an idea of what Jodorowsky accomplished here. 55. 'The Great Train Robbery' (1903) Edwin S. Porter's pioneering film is one of the very first westerns. It ends with the famous, influential, still-shocking shot of a gunman aiming his pistol right at the viewer and opening fire. 54. 'Way Out West' (1937) In one of the earliest western spoofs, Laurel and Hardy are tasked with delivering a mine deed to an heiress, a task they screw up epically and hilariously. 53. 'The Professionals' (1966) Lee Marvin and Burt Lancaster star in this twisty, noir-like tale of four mercenaries hired to rescue a rancher's kidnapped wife, only to find more than they bargained for once they find her. It's the "Out of the Past" of westerns. 52. 'One-Eyed Jacks' (1961) The only movie Marlon Brando ever directed is a gritty, Freudian, dreamlike gloss on the Pat Garrett/Billy the Kid legend. Brando stars as a young outlaw, whose much older partner (frequent Brando co-star Karl Malden) has abandoned and betrayed him and gone straight. Brando the storyteller plays up the Oedipal tensions as the two men head toward the inevitable showdown. 51. 'Silverado' (1985)  The western had been essentially dormant as a genre for a decade when Lawrence Kasdan tried to revive it with this deliberate throwback to the classics. A disparate quartet of cowboys, including Kevin Kline and an unusually animated Kevin Costner unite against a corrupt sheriff (Brian Dennehy). Any western that can find room to cast John Cleese, Linda Hunt, and Jeff Goldblum is, by definition, going to be pretty fascinating.50. 'Johnny Guitar' (1954) Sterling Hayden plays the title troubadour, but Nicholas Ray's unique, lurid western is all about the women. Joan Crawford is the saloon-keeper with a past, and Mercedes McCambridge is the bitter local who bears a murderous grudge against her. 49. 'El Mariachi (1992)' Robert Rodriguez' debut film, famously made for just $6,000, is a brilliantly staged spaghetti-western homage about an aspiring troubadour (Carlos Gallardo) in a picturesque village who gets mixed up in a bloody crime war and becomes a lethal gunslinger instead . Rodriguez had a bigger budget and bigger stars (Antonio Banderas, Salma Hayek) in the two sequels ("Desperado" and "Once Upon a Time in Mexico"), but this one is still the most fun. 48. 'The Big Country' (1958) Gregory Peck stars in this sweeping saga as a tenderfoot from Maryland who becomes embroiled in a feud between two powerful ranching families. Charlton Heston co-stars as a rowdy ranch hand and romantic rival (they both love Carroll Baker), and it's a treat to watch these two masters of the clenched-jaw school of Hollywood movie acting confront each other. 47. 'Jeremiah Johnson' (1972) Sydney Pollack's based-in-fact drama stars Robert Redford as a fur trapper in the Rockies. Like Pollack and Redford's later "Out of Africa," it's the story of an immigrant who's a bit out of his depth dealing with the difficulties of the local terrain, the climate, and an uneasy coexistence with the natives. The scenery is stunning; it's no wonder Redford fell in love with Utah. 46. 'The Gunfighter' (1950) Gregory Peck is Jimmy Ringo, a fast-draw artist who tries to settle down and enjoy a peaceful life. But he can't escape his reputation and is sought out by enemies and young gunslingers trying to make a name for themselves by challenging him. One of the finer examples of this familiar plot. 45. 'The Long Riders' (1980)  The gimmick in Walter Hill's account of the James-Younger gang is that all the characters who were brothers are played by real-life brothers. (Theres the Carradines, the Quaids, the Keaches, and the Guests.) The gimmick works surprisingly well; it makes the history among these outlaws seem a lot more personal.44. 'The Shootist' (1976) John Wayne gets a fitting sendoff in his last movie. Playing an old gunslinger dying of cancer, and feeling out of place in the 20th century (it's 1901), he tries to live out his last days in peace and even courts a pretty widow (Lauren Bacall) whose teenage son (Ron Howard) idolizes the old man. But, of course, his past catches up to him -- giving Wayne a chance to go out in a blaze of glory. 43. 'Little Big Man' (1970) Arthur Penn's movie is the revisionist western to end all revisionist westerns. Dustin Hoffman plays Jack Crabb, a 121-year-old white man who recalls a youth spent living among the Sioux and becoming the only white man to survive Custer's Last Stand. You can read it as an anti-Vietnam War allegory, or just as a colorful story that upends everything you thought you knew about the Old West. 42. 'Pat Garrett and Billy the Kid' (1973) Sam Peckinpah's take on the notorious outlaw's pursuit by his former friend was a countercultural allegory back then. Today, it's just a poetic and terribly sad western with top performances by James Coburn (as Garrett), Kris Kristofferson (as Billy), and Slim Pickens as an aging gunfighter. His death scene -- wordless, drawn out, and scored to Bob Dylan's "Knockin' on Heaven's Door" -- is one of the most haunting and tragic in any western. (Dylan also made his acting debut in the film.) 41. 'Dead Man' (1995) Jim Jarmusch's unique western is a surreal nightmare. Johnny Depp plays a meek city slicker who receives a fatal bullet wound when mistaken for a gunslinger. Accompanied by a grumbling Indian named Nobody (Gary Farmer), the slowly dying man travels further west, on a quest for spiritual release, through increasingly violent country, until he becomes the bloody desperado everyone thinks he is. Shot in deliberately grainy black-and-white, with a jangly score by Neil Young, it's a black-comic journey into the heart of darkness. 40. 'Rango' (2011)  Johnny Depp stars in this clever animated western spoof. He plays a chameleon who stumbles into a dry desert town populated by anthropomorphic critters, and he's enlisted to drive off some predatory outlaws. With explicit nods to "High Noon," "Chinatown," and Clint Eastwood's spaghetti westerns, "Rango" is a film full of sly references that kids won't get but adults will appreciate.39. 'Dances With Wolves' (1990) Kevin Costner won Best Picture and Best Director for his revisionist epic, in which he plays an army lieutenant who comes to respect a tribe of plains Indians so much that he goes native and tries to protect them from his former comrades. It's a sad, sweeping story -- but not without its thrills, like the stirring buffalo hunt sequence. 38. 'Seven Men From Now' (1956) Director Budd Boetticher made a series of gritty, dark westerns with star Randolph Scott that, like Anthony Mann's work with James Stewart, belies the convention that 1950s westerns were simple black-hat-white-hat morality plays. Here, Scott is a lawman who leaves a bloody trail of revenge on his search for the robbers who killed his wife. 37. 'Winchester '73' (1950) Anthony Mann made several westerns in the 1950s that revealed a darker, more violent side of James Stewart that must have shocked fans of his aw-shucks persona. This first collaboration is the best. Stewart plays a man bent on avenging his father's death, who tracks a stolen rifle through several owners on his way to finding the killer. 36. 'The Ox-Bow Incident' (1943) Henry Fonda stars in this stark, compact (just 75 minutes) morality tale about mob justice, playing a cowboy who stumbles onto a lynch mob bent on killing three men who may not actually be guilty. Nominated for a Best Picture Oscar, the film was an inspiration for Fonda's later classic, the jury room drama "12 Angry Men." 35. 'Lone Star' (1996)  In John Sayles' modern-day western, Chris Cooper is a Texas border-town sheriff laboring under the shadow of his late, legendary lawman father (played in flashback by Matthew McConaughey). Probing a 40-year-old murder mystery that involved his father, while also rekindling a romance with an old sweetheart (Elizabeth Pena), he finds out more than he wanted to know about the truth behind his father's legend. The film is a sprawling allegory about life on the border, the way old myths continue to shape our lives, and the uneasy coexistence of many different peoples in the new West.34. 'Lonely Are the Brave' (1962) Kirk Douglas' favorites among his own movies. He's a modern-day cowboy and drifter, one who's not at home with the rules, technology, or enclosed spaces of the 20th century. He tries to bust a pal out of jail, but when the friend won't leave, he breaks out himself on a doomed, existential quest for a kind of freedom that's no longer possible in the New West. 33. 'Open Range' (2003) Best known for its sweeping anamorphic vistas and very grounded approach to shootouts, Kevin Costner both directs and stars in this underrated Western about two cattleman (Costner and Robert Duvall) who find both trouble and purpose when they cross paths with a ruthless land baron (a sinister Michael Gambon). The tense, climatic gunfight -- depicting cowboys as real people who miss and sometimes fumble with their guns -- is a high point, as are Costner's understated direction and performance. 32. 'High Plains Drifter' (1973) Clint Eastwood's darkest role finds him playing another man with no name (or maybe the same one as before) who offers his protection services to a town awaiting an outlaw onslaught. But his security comes at a price that's more than the town bargained for. Is he an angel, a demon, or just a man with a vindictive sense of humor? Funny, nasty, and bleak. 31. 'The Outlaw Josey Wales' (1976) One of Clint Eastwood's favorites among hiss own films is this saga of a farmer and Confederate soldier on a long odyssey of revenge against the Union fighters who killed his family, a quest that continues well after the Civil War has already ended. It's a film whose stature has only grown with time. 30. 'Brokeback Mountain' (2005)  Western notions of masculinity are re-examined in Ang Lee's stately tearjerker about a ranch hand (Heath Ledger) and a rodeo rider (Jake Gyllenhaal) who fall in love. Lee's elegant direction and Ledger's laconic performance all but dare viewers to find a reason to consider these two cowboys less than manly just because of who they love.29. 'Tombstone' (1993) This isn't the most accurate account of the O.K. Corral gunfight, but it's the most sheerly entertaining, thanks largely to smart casting. Michael Biehn and Powers Boothe are fine villains, Kurt Russell makes a surprisingly good Wyatt Earp, Sam Elliott should be in every western, and Val Kilmer gives the performance of his career as Doc Holliday, a rogue who can get away with anything because he has nothing left to lose. Kudos to whoever groomed the luxuriant mustaches; they're some of the best facial hair in any movie ever. 28. 'Django Unchained' (2012) Quentin Tarantino's inevitable spaghetti-western homage turned out to be an epic, brutal tale of two bounty hunters (Jamie Foxx and Oscar-winner Christoph Waltz) who target the horrifically cruel plantation owner (Leonardo DiCaprio) who once enslaved Foxx's Django and still has Django's wife (Kerry Washington). Tarantino meant the tale as a corrective to "Birth of a Nation" and a century of cinema that failed to depict American slavery as the absolute horror it was. But since it's Tarantino, it's also a headlong rush of violent adventure. 27. 'True Grit' (2010) With all due respect to the 1969 original that won John Wayne his only Oscar, the recent Coen brothers remake starring Jeff Bridges as grizzled, one-eyed bounty hunter Rooster Cogburn is the richer film. (It's also more faithful to Charles Portis' novel.) By rights, Bridges should own the movie, but he shares it with Matt Damon's peevish young Texas ranger and all but gives it away to Hailee Steinfeld, as the revenge-driven teen who hires Cogburn to track her father's killer. Even though her longing for vengeance costs her a lifetime of pain, she demonstrates as much true grit as anyone in the movie. 26. 'Destry Rides Again' (1939) George Marshall's western is almost ridiculously entertaining. James Stewart, in a sly performance, plays a lawman who's reluctant to use his gun, even though he's an expert sharpshooter. Marlene Dietrich (in the performance that Madeline Kahn spoofs in "Blazing Saddles") is the saloon singer who catches his eye. Comedy, music, and all the action you could want. 25. 'My Darling Clementine' (1946)  John Ford's climactic staging of the shootout at the O.K. corral is reportedly very accurate. The movie that precedes that moment is mostly hogwash, but it's well-made hogwash, with Henry Fonda playing Wyatt Earp as the reluctant gunfighter forced to strap on his holster once again, and a shockingly frail Victor Mature as a dying Doc Holliday.24. 'Fort Apache' (1948) The first film in John Ford's cavalry trilogy features John Wayne and Henry Fonda clashing as commanders of a garrison under siege. Like the two movies that followed ("She Wore a Yellow Ribbon" and "Rio Grande"), its a fascinating study in styles of leadership and management, as well as a crackling adventure. 23. '3:10 to Yuma' (2007) James Mangold's remake of the old Glenn Ford-Van Heflin western is actually better than the original. Christian Bale plays the Heflin role of a desperate farmer who agrees to take on the lucrative but hazardous job of escorting a captured criminal (Russell Crowe, in the Ford part) to the train that will take him to prison, with both men aware that the outlaw's gang will stop at nothing to free him. Bale, Crowe, and Mangold turn this simple obstacle course into something epic. 22. 'Ride the High Country' (1962) Sam Peckinpah's first masterpiece, and Randolph Scott's swan song, is this elegiac western about two aging gunslingers (Scott and Joel McCrea) who have a falling out over the opportunity for one last big score. Like many later revisionist westerns, including several of Peckinpah's own films, this one bears the sense of loss of an old order defined by rules, giving way to a new cruelty where anything goes. 21. 'The Assassination of Jesse James by the Coward Robert Ford' (2007) This unjustly overlooked recent western takes a modern look at the Jesse James legend. Brad Pitt plays the outlaw as a man painfully self-conscious about his own fame. Casey Affleck plays Ford as a frustrated celebrity stalker, one who turns against his idol when his idol worship goes unrequited. 20. 'No Country for Old Men' (2007)  It takes place in the recent past, but the Coen brothers' Best Picture-winning adaptation of Cormac McCarthy's novel qualifies as a modern-day western. Josh Brolin is the Texan who stumbles onto a fortune, Javier Bardem (who also won an Oscar) is the implacable desperado who tracks him down, and Tommy Lee Jones is the lawman overwhelmed by evil he can't comprehend. Like many westerns, this one laments the passing of the old ways, to be replaced by a new, even more ruthless kind of savagery.19. 'McCabe and Mrs. Miller' (1971) Gambler Warren Beatty teams up with madam Julie Christie to open a brothel in a remote frontier town, and all goes well until the big businessmen move in on them. Robert Altman's countercultural parable, complete with a mournful Leonard Cohen soundtrack, doesn't look like any other western, thanks to the snowbound visuals, gorgeously photographed by Vilmos Zsigmond. 18. 'Blazing Saddles' (1974) Mel Brooks' spoof remains the best western comedy of all time. For all the movie's daring humor (the bean scene!) and racial commentary (Richard Pryor co-wrote the script), it also works as a classic western, one that borrows plot elements from "Rio Bravo" and "Destry Rides Again," with shout-outs to "High Noon," "The Treasure of the Sierra Madre," and Randolph Scott. 17. 'She Wore a Yellow Ribbon' (1949) John Ford's second movie in his Cavalry trilogy (and the only one of the three that's in glorious Technicolor) stars John Wayne as a retiring commander who takes on one last mission, escorting two women to safety while trying to forestall an Indian uprising. Of course, nothing is ever that easy. Ford turns the story into an unforgettable drama of loyalty and regret. 16. 'Lonesome Dove' (1988) Yes, it was a TV mini-series, not a theatrical film, but it was so good that it deserves a place on this list. Larry McMurtry's tale of two Texas Rangers (Robert Duvall and Tommy Lee Jones) leading a 2,500-mile cattle drive is a classic tale of friendship, adventure, and loss. Anjelica Huston, Diane Lane, and Danny Glover round out an all-star cast. 15. 'Butch Cassidy and the Sundance Kid' (1969)  Like Sam Peckinpah's "The Wild Bunch" the same year, it's easy to see this film about outlaws who draw the wrath of the government in two different countries as a parable of the counterculture vs. the establishment But mostly, it's a fun buddy movie (and an influential one, the first of its kind), one that coasts largely on the immense charm and charisma of the Paul Newman-Robert Redford pairing.14. 'The Man Who Shot Liberty Valance' (1962) One of John Ford's final westerns takes a look at the mythmaking he and other western storytellers had been practicing all these years. James Stewart is the city-slicker senator who made his reputation with the killing of the title outlaw (a scary Lee Marvin), and John Wayne is a typical Wayne man of action, one whose ease with violence helps create a civilized society that has no place for a man like himself. 13. 'The Treasure of the Sierra Madre' (1948) It takes place in Mexico, but it feels like a western -- there's gold prospecting, bandits, murder, and greed. Humphrey Bogart's never been more hard-boiled. John Huston directed his father Walter to a Supporting Actor Oscar as the old prospector who should have known better. 12. 'Red River' (1948) John Wayne offers a shockingly intense portrayal of obsession as a cowboy leading a lengthy cattle drive through dangerous territory. In his starmaking role, Montgomery Clift is his adopted son, who rebels against Wayne's martinet ways. It's another Howard Hawks movie that explores different varieties of masculinity, and one of the best. 11. 'High Noon' (1952) Gary Cooper won an Oscar as the marshal who tries and fails to recruit locals to help him defend the town against outlaws who are due to arrive on the midday train. Fred Zinnemann's meticulous direction allows the film to unfold in real time. But the real trick in the script by Carl Foreman, himself a victim of the Hollywood blacklist, is that it can be read as either an anti-communist allegory or an anti McCarthyist allegory. Seen today, stripped of its politics, it's just a terrifically suspenseful thriller and a statement against the dangers of conformity. 10. 'The Magnificent Seven' (1960)  John Sturges' wildly successful transposition of Akira Kurosawa's "Seven Samurai" to a western setting stars Yul Brynner, Steve McQueen, and Charles Bronson as mercenaries who agree to defend a Mexican town from a bandit (Eli Wallach) and his gang. The film made McQueen a movie star and embedded Elmer Bernstein's rousing theme music in everyone's DNA; even if you haven't seen the film, you know the melody.9. 'Shane' (1953)  George Stevens' majestic western looks like a cliche today, but only because it launched so many of them. It's the archetypal movie about a retired gunslinger (Alan Ladd) who wants nothing more than to be a farmhand for homesteader Van Heflin, his wife (Jean Arthur), and their impressionable boy (Brandon de Wilde). But Shane is forced back into action to defend his adopted family against evil (in the form of hired gun Jack Palance). There's a lot going on here, most of it unspoken, from the history of range wars between farmers and ranchers, to Shane's unintentional displacement of Heflin in the affections of the wife and the son. It's also a gorgeously shot film, with Oscar-winning cinematography. By the time the film's over, you'll be echoing de Wilde's admiring child, begging Shane to come back.8. 'Once Upon a Time in the West' (1968)  After his "Dollars" trilogy, Sergio Leone brought his spaghetti-western sensibility to Hollywood, with striking results. In this epic about a beautiful widow (Claudia Cardinale) trying to hold out against ruthless railroad barons, Henry Fonda plays against type as a cold-blooded killer, while Charles Bronson has a starmaking performance as a mysterious, harmonica-playing hero.7. 'Rio Bravo' (1959)  Howard Hawks and John Wayne felt that "High Noon" merited a response, a story where at least some townsfolk are brave enough come to the marshal's aid when outlaws threaten the town. But Wayne's allies here are few and unlikely -- a drunk (Dean Martin), a frail oldtimer (Walter Brennan), and a cocky kid (Ricky Nelson). As in any Hawks movie, the emphasis is as much on male bonding as it is on adventure. Dino even gets to croon a couple tunes. Still, this is as satisfying as any western ever made.6. 'The Wild Bunch' (1969)  Sam Peckinpah's most notorious and influential revisionist western is this one, about a group of tough-guy aging outlaws (including William Holden, Ernest Borgnine, Warren Oates, and Ben Johnson), feeling out of place in the newly-civilized West, who head to Mexico for one last adventure. The movie's final bloodbath, choreographed like a ballet as bullets tear bodies apart in slow motion and send blood flying, is Peckinpah's signature moment as a director, his grand statement on change in the old West, and a sequence that has been the template for the presentation of movie violence for nearly half a century now.5. 'A Fistful of Dollars' (1964)  Here's the movie that changed westerns forever. It popularized the spaghetti western (so-called because it was directed by an Italian and shot in Europe, giving it an otherworldly, surreal quality that homegrown westerns lacked), demonstrated a cynicism about frontier morality that was new to the genre, and made a movie star out of TV cowpoke Clint Eastwood. The plot, in which Eastwood's gunslinger exploits the blood feud between two powerful families for his own ends, comes from Akira Kurosawa's "Yojimbo." In his first film as the iconic, poncho-clad, cigarillo-smoking Man With No Name, Eastwood has already perfected the squint and the soft-spoken delivery that will carry him through the rest of his long and celebrated career.4. 'The Good, the Bad and the Ugly' (1966)  In the final movie of Sergio Leone's "Dollars" trilogy, the title refers to the characters played by Clint Eastwood, Lee Van Cleef, and Eli Wallach, respectively. But nobody in the film is all that good; Eastwood's Man With No Name may be a little more honorable than the others, but that's all. The three men compete over a stash of gold, leading to the epic three-way standoff at the film's climax. Ennio Morricone adds to the agonizingly ominous atmosphere with the most iconic instrumental score in western movie history.3. 'Unforgiven' (1992)  Clint Eastwood's Best Picture winner is also his farewell to the genre that made him famous. It's an unflinching look at the true costs of the violence usually valorized in westerns -- and indeed, throughout American culture. Eastwood plays a reformed outlaw, failing at supporting his family through honest work. He straps on guns again to chase a bounty on a couple of cowboys who disfigured a prostitute.Lending the whole enterprise some gravitas is a cast of fellow old-timers -- Morgan Freeman as Eastwood's old partner in crime, Richard Harris as an arrogant English-born gunslinger, and an Oscar-winning Gene Hackman as a town sheriff who doesn't mind resorting to violence to keep the peace. No one comes out of this situation unscathed; the violence leaves everyone either dead or damned. Even the viewer is implicated; you'll get the cathartic, climactic bloodshed you crave -- but you'll feel squeamish for wanting it and enjoying it. 2. 'Stagecoach' (1939)  Here's the movie that made John Wayne a star and John Ford the king of all western directors. Wayne's a young gunslinger eager to prove himself, and one of several passengers from diverse walks of life on a stagecoach traveling through hostile Apache territory. Ford makes his first great use here of the majestic scenery of his beloved Monument Valley, and stuntman Yakima Canutt stages some of the most hair-raising stunt work and chase shots in film history.1. 'The Searchers' (1956)  Anyone who thinks John Wayne played the same, simple, white-hatted hero in every film needs to see this movie that demonstrates not just his range as an actor but also how willing he was to make himself unlikable. As a man who spends years on an obsessive quest to find a niece (Natalie Wood) kidnapped by Comanches, he's an unredeemable racist, one who seems as apt to kill the girl for going native as to bring her safely home.Besides being an indisputably great movie, it's also an incalculably influential one, a film that hints at the revisionist westerns to come and that served as a one-movie film school for directors like Coppola, Scorsese, and Spielberg. The final shot alone, with Wayne framed in the doorway of a home he feels banished from, has been stolen countless times by Ford's admirers. This posting includes an audio/video/photo media file: Download Now |
| 6 Co-Stars Who Didn't Get Along on Popular TV Series Posted:
The real-life tiffs between actors can be difficult for fans to digest. As much as you worship the stars of your favorite shows, you also want to believe that some of the relationships playing out on screen are equally poignant and close behind the scenes. These six sets of feuding television cast-mates prove that the stars really are like regular people: Sometimes, they just can't get along. 1. 'The Good Wife' (2009 - ) What wouldn't a fan of the sexy legal drama do to find out what really went on between Julianna Margulies and Archie Panjabi? The reported conflict between the two actresses is shrouded in mystery; neither has spoken out about it in detail. But eagle-eyed viewers caught episodes that went by where the actresses' characters strangely didn't share a scene. Eventually Kalinda (Panjabi) was written off the show; she and Alicia (Margulies) met for one last drink in a sequence that the creators of "The Good Wife" later admitted was a composite of two takes shot with each actress separately. 2. 'Charmed' (1998 - 2006) Alyssa Milano and Shannen Doherty played sisters on the supernatural drama, "Charmed," but they didn't feel much of a familial bond off-set. When Milano was asked about issues leading up to Doherty's departure after three seasons on "Watch What Happens: Live," she compared the filming experience to being in "high school" and confirmed that there "were definitely some rough days." 3. 'Castle' (2009 - ) Recent events lend credibility to rumors that the heavily shipped core couple of the romantic procedural "Castle" are far from in love in real life. Stana Katic, who plays Captain Kate Beckett, was not invited to renew her contract if the show returns for Season 9. An unnamed source told US Weekly that the state of her TV union with co-star Nathan Fillion was so bad that producers actually sent the pair to couples counseling. 4. 'Desperate Housewives' (2004 - 2012) The stars of "Desperate Housewives" were probably desperate for some time away from each other. The leading ladies of the prime-time soap had roller-coaster friendships on the show. The drama went on off-camera too, as Felicity Huffman, Eva Longoria, and Marcia Cross were frequently at odds with co-lead Teri Hatcher. The truth was printed literally in black and white when the other three ladies left Hatcher's name off of a farewell gift to the show's crew. 5. 'The X-Files' (1993 - ) The duo from "The X-Files" have patched things up in the years since the sci-fi phenomenon's original run, but David Duchovny and Gillian Anderson weren't buddy-buddy in the early days of Mulder and Scully. The stars acknowledged the controversy on "Jimmy Kimmel Live" during the press tour for the show's revival, joking to the host that the core of the problem was that Anderson's hair issues would require long breaks between takes. Now, the gossip about the two has pretty much done a 180 -- many fans are certain that the co-stars are actually dating. 6. 'Grey's Anatomy' (2005 - ) A tussle between Patrick Dempsey and Isaiah Washington on the set of the massively popular medical drama -- "Grey's Anatomy" -- dominated entertainment news after Washington's use of a homophobic slur during the fight became public knowledge. The word was said in reference to cast-mate T.R. Knight, whose lateness to set was the subject of Dempsey and Washington's argument. Washington issued an apology in People, but was later fired from the series. Sources
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| JoJo Fletcher Admits She Knew Jordan Rodgers Would Be on 'The Bachelorette' Posted:
So JoJo is apparently following spoilers, too. It's possible the spoiler that she picked Jordan is wrong, but there's really no right way for someone in her position to address that particular report, so we'll have to see how she and the show navigate things from here. Want more stuff like this? Like us on Facebook. This posting includes an audio/video/photo media file: Download Now |
| Comedy Roasts That Took It Too Far Posted:
Justin Bieber: Too Fast, Too Furious, Too Soon The 2015 Comedy Central roast of Justin Bieber should've been a momentous occasion -- yeah, it's weird that the Biebs got roasted in the first place, but at least we can all laugh at the teen pop star turned way-too-smug 20-something. Unfortunately, everyone from Jeff Ross to Pete Davidson cast a cloud over the evening with jokes about the then-recent death of "The Fast and the Furious" series star Paul Walker. The tragic running theme was in such poor taste that even Ludacris complained, and when you've offended the man who wrote heartfelt ballads like "Hoes in My Room" and "Move Bitch," you know you've crossed a line. Roseanne Flips the Script Comedy Central's 2012 roast of Roseanne Barr is pretty middle-of-the-road -- you could say that Roseanne jokes are the gift that keeps on giving, but they were never really a gift in the first place. As her roasters waded through all the expected fat jokes, Roseanne turned the tables and put her infamous ex, Tom Arnold, right in the sniper sights. The result is something that felt way too personal for comfort, full of poison-tipped quips like, "I'm glad you have a good wife, Tom; I'm glad she isn't with you just for your money -- I mean, my money." Ouch. Smells like someone burned the roast. Lisa Lampanelli Hassles the Hoff Gilbert Gottfried stood right on the "too far" line at the 2010 Comedy Central roast of David Hasselhoff, but Lisa Lampanelli sprinted on over it. At the time, the Hoff was vulnerable -- fresh off a tabloid streak when a video of him eating a hamburger while his kids implored him to stop drinking made the online rounds. The whole thing made the night feel a little pathetic, but Lisa took no prisoners. "The Queen of Mean" earned her title as she somehow managed to fit jabs about the Deepwater Horizon oil spill, race, Haiti, Roger Ebert's fatal cancer, and the Holocaust into less than five minutes of stage time. That's got to be some sort of record that should've never been set. Chevy Chase Gets Weird Being mean is a natural part of the roast's recipe. But something about the New York Friar's Club roast of Chevy Chase in 2002 just came off as sad and awkward. When the majority of his "Saturday Night Live" posse didn't show up, Chase sat through the whole torpid affair behind a pair of shades and an uncomfortably humorless scowl, somehow managing to make the audience feel like he was both a terrible sport and yet undeserving of the onslaught that came his way. This one just amped up the mean factor on far too many levels. James Franco Plays Softball In 2013, James Franco invited a bunch of his Judd Apatow-alumni buds to a fancy dinner, and they lightly ribbed him in what felt like an extended press junket rather than an envelope-pushing night of comedy. This Comedy Central-aired "roast," to use the term loosely, went way too far in the other direction -- it was a too-nice, undercooked dish with no bite and some very unfunny bark. Just let Sarah Silverman leave this right here for you: "I can't tell if this is a dais or the line to suck Judd Apatow's balls." Sources
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| Watch Emilia Clarke Sing 'MMMBop' in Dothraki (As She Really Did in One Scene) Posted:  You know those "Now That's What I Call Music" compilations? The next volume should be all pop songs performed in Dothraki. The world is ready. "Game of Thrones" star/overall queen Emilia Clarke was on "Late Night with Seth Meyers" to promote her upcoming film "Me Before You," and also talk about the real language of Dothraki, which was invented for GoT.Emilia memorizes the lines in Dothraki for the HBO show, but she said the other people on set can't tell when she's saying a Dothraki line correctly or not, so she could say just about anything. For the currently airing Season 6, there was one speech that went on for so long that -- when she was off camera, doing lines with a Dothraki dude who was doing his close-up -- she substituted the real words she was supposed to say with a Dothraki version of Hanson's "MMMBop." She admitted that it did not help her co-star with his performance. At all. But she gave Seth Meyers a sample of her "MMMBop," and he said it's much less catchy than the original. Watch Emilia singing in the first video, and then hear her story about "Me Before You" co-star Sam Claflin making her a Daenerys Targaryen LEGO: Want more stuff like this? Like us on Facebook. This posting includes an audio/video/photo media file: Download Now |
| 'The Walking Dead' Season 7 Goes Into Stealth Mode to Avoid Negan Kill Spoilers Posted:
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| Jennifer Lawrence Admits She Took Ambien Before Filming a 'Hunger Games' Scene Posted:  Now we have to go back and re-watch "The Hunger Games" to see where the odds of staying awake were not in Katniss Everdeen's favor.Jennifer Lawrence was recently on "The Tonight Show Starring Jimmy Fallon," and she joined Jimmy and "Last Week Tonight" host John Oliver for a game of "True Confessions." They had to open one of two envelopes -- one containing a true confession from their past, another a lie -- and then try to sell whatever story was in the envelope while the others interrogated them to determine if they were telling the truth or not. JLaw went first, and her envelope had a pretty juicy "confession": "I once took an Ambien before filming a scene in 'The Hunger Games.'" She told Jimmy and John it was not before a sleeping scene, or a fight scene, and no one else was around at the time. When Jimmy asked if it was a mistake, she said yes, adding, "I thought it was something else." John Oliver asked, "If this is true, is it going to cause you legal problems with the studio?" Jen answered, tentatively, "Um, well, the movies are done?" John replied, "That's not how the law works!" So was she lying or not? John made his guess: "It's plausible. It's reckless. I kinda like it. If it's not true, I am going to be very sad." He said it's true. Jimmy took a while but also decided it was true. Jen admitted that it was true. And somewhere out there a producer is having a seizure. Watch the full seven-minute video for Jimmy and John's "True Confessions": But John needs to finish that naked Tokyo sauna story! Want more stuff like this? Like us on Facebook. This posting includes an audio/video/photo media file: Download Now |
| Did 'The Voice' and 'Dancing With the Stars' Name the Right Winners? Posted:
So DWTS has its first deaf winner and a totally expected win at the same time. UFC fighter Paige VanZant was declared the best overall dancer of the season, but that was also pretty expected since she admitted she grew up dancing. Ginger Zee of "Good Morning America," who also had some previous dance experience, took third.  Meanwhile, over on "The Voice," the win went to Alisan Porter, who wowed the coaches in her blind audition even before they realized she was the little girl from the 1991 film "Curly Sue." Her voice and comeback story immediately gave her frontrunner status, and her win last night wasn't terribly unexpected (although Adam Wakefield fans aren't happy). At the same time, it marked a breakthrough after 10 seasons of the show in that it was the first time a female coach won "The Voice." So congrats to Christina Aguilera as well. Adam Wakefiled (of Team Blake) took second place, with Hannah Huston (Team Pharrell) in third, and Laith Al-Saadi (Team Adam) in fourth.
Are you happy with the winners? If not, who should've won? Want more stuff like this? Like us on Facebook. This posting includes an audio/video/photo media file: Download Now |
| 'Game of Thrones' Showrunners Apologize for Aftermath of Hodor Reveal Posted:  Warning: Spoilers ahead from the most recent "Game of Thrones" Season 6, Episode 5, "The Door.""Game of Thrones" showrunners Dan Weiss and David Benioff have a lot to answer for after six seasons of some pretty sick stuff on HBO. But they never apologize. They may even be closer to Joffrey and Ramsay than we'd like to think. So what a pleasant surprise to see them -- surrounded by piles of money, of course -- in a taped bit on "Jimmy Kimmel Live." They finally said they're sorry, although not quite for what had fans sobbing this past week. Weiss: "We'd like to apologize for Sunday's episode." Benioff: "Not for killing Hodor. We kill a lot of main characters." Weiss: "We've killed 739 main characters so far." Benioff: "We're sorry for all the idiots who, from now on, will be shouting 'Hodor!' every time you go through a door." Weiss: "We forgot how annoying people can be. That's our bad." Benioff: "We should've seen that coming." Watch the video to see examples: People really are the worst. D&D also said they can kill people in real life, and they can also kill each other -- which seems like the real ending ahead of us. After all, why do we have two showrunners? There's only one Iron Throne. Then again, there are three dragons ... so maybe Jimmy Kimmel is meant to join them as the third? Have you experienced any people shouting "Hodor!" instead of "hold the door"? Just tell them "Valar morghulis" and follow with a pointed look and a creepy smile. "Game of Thrones" continues this Sunday, May 29 with Episode 6, "Blood of My Blood," and we can only imagine more death and destruction is ahead. #SavetheDirewolves Want more stuff like this? Like us on Facebook. This posting includes an audio/video/photo media file: Download Now |
| Kids' Shows You Wish Were Still On Posted:
That isn't to say kids' shows today aren't just as awesome as the classics. There's always "Adventure Time's" brilliance or the galactic plot lines of "Star Wars Rebels," but nothing compares to watching Miley Cyrus pretend to be two different people with only a wig to tell "them" apart. Of course, child stars grow up, usually ending the show ... even though viewers wish they could go on forever and ever, like "Degrassi" somehow manages to do. Here are some of the best kids' programs that, in all honestly, should really still be on the air and in their hundredth seasons. 'Hannah Montana' (2006 - 2011) Roll your eyes all you want, but "Hannah Montana" was a great show during the time it was on air. Love or hate Miley Cyrus, but she was hilarious, adorable, and extremely talented while playing Miley Stewart and international pop star Hannah Montana at the same time. From shenanigans with her best friends, Lily and Oliver, played by Emily Osment and Mitchel Musso, to learning to battle the ups and downs of school and fame, the show managed to capture the essence of coming to terms with who you are as a kid / young adult-in-the-making, with great music to go along with it. 'Dexter's Laboratory' (1996 - 2003) When you're a kid, cartoons generally make up 85 percent of the shows you watch. In fact, if you grew up watching kids' cartoons, you're more likely to want to watch the smart, laugh-out-loud ridiculousness that is "Bob's Burgers" or "Rick and Morty," which is why "Dexter's Laboratory" is on this list. From Dexter screaming "DEE-DEEEEE!" at his sister to his clueless parents to the amazing inventions he came up with, pretty much every single episode taught viewers that being smart and dreaming big was something everyone should aspire to. The "Powerpuff Girls" can go in this category as well, however, they've just rebooted it on Cartoon Network so, what are you waiting for? Go watch it right now. 'Drake & Josh' (2004 - 2007) This show was like an updated version of the "The Brady Bunch" but on a small scale, as in, there were only three kids. Played by Drake Bell and Josh Peck with the brilliant Miranda Cosgrove as their smart-aleck younger sister, the show had both mindless entertainment and thought-provoking story lines. Remember that time Josh accidentally ran over Oprah? Of course you do, it was one of the best "Drake & Josh" episodes. Not to mention the fact that this show let us watch Josh Peck go from hilarious overweight child actor to hunky, funny teen actor. Hubba, hubba. 'Lizzie McGuire' (2001 - 2004) The list would not be complete without this Hilary Duff-starring masterpiece. From dealing with a mischievous little brother to learning how to buy a bra with your super-embarrassing mom, "Lizzie McGuire" was everything adolescent teen girls and boys needed in their life. Not to mention, the brilliance of the "Lizzie McGuire Movie." Can't everyone just pretend Hillary Duff hasn't aged at all and she's still in middle / high school in order to bring this show back? 'Sabrina the Teenage Witch' (1996 - 2003) "Sabrina the Teenage Witch" was on television for a long time, and why did it even end? Melissa Joan Hart saw this show through high school and college, so why couldn't they have continued the program with her being a mom? Anyway, the TGIF show followed Sabrina's journey into the world of witches and warlocks, along with her aunts Hilda and Zelda -- played by Caroline Rhea and Beth Broderick -- who gave generally smart but sometimes terrible advice. "Sabrina" was the perfect form of escapism for kids and teens alike. Who wouldn't want to pretend to deal with all their problems by being a teen witch? No one. Sources This posting includes an audio/video/photo media file: Download Now |
Is it ever possible to truly grow up? Adults will inevitably tell you there are moments when they feel like frauds -- mere children disguised as grown-ups. And maybe that's the reason there are so many children's television series with considerable crossover appeal. Animated or live-action, these shows may be marketed to kids, but they possess a certain mature quality that brings in an adult fan base too.
Do you like everyone you've ever worked with? Even the most chilled-out people butt heads with others sometimes. That tension only gets worse if you're forced to spend a ton of time together while filming. No, not all co-stars are friendly all the time, even if they play two peas in the proverbial pod on TV.
Warning: "The Bachelorette" spoilers reference ahead.
Saying the words "Friar's Club" without scaring away millennials who only speak in memes. Making the celeb in the chair feel honored, but just humbled enough to not jump out a window. Showcasing TV-friendly material that has enough foul language to make 
Lucille has been a very bad girl, but 
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Nobody wants to admit it, but the TV shows you watch as a kid help shape your personality as an adult. Sure, there are lots of other factors, like your friends, family, and siblings, but for kids who were allowed television time -- or sneak-watched while at a friend's house -- TV shows were a vital part of shaping your worldview. From "| You are subscribed to email updates from Moviefone News RSS Feed - Moviefone.com. To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
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