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- A Queen’s Ransom | aka International Assassin (1976) Review
- The acclaimed ‘Mifune: The Last Samurai’ hits DVD in April
- ‘Expendables 4’ will be exploding onto screens in 2018
A Queen’s Ransom | aka International Assassin (1976) Review Posted: 21 Dec 2016 01:19 PM PST Director: Ding Sin Saai By Jeff Bona Three years after the passing of Bruce Lee, Hong Kong’s Golden Harvest Studios was still running around like a headless chicken in search of someone who could fill the shoes of their most bankable asset. This period – between 1973 and 1977 – was a time of trial and error for the once flourishing film company that used to have the biggest star in the palm of their hand. It was a situation that can only be compared to… let’s say… The Beatles losing John Lennon and Paul McCartney at the height of Beatlemania. To adapt to this challenge, Raymond Chow, head of Golden Harvest, turned to names, old and new, like Ko Chun Hsiung (The Devil’s Treasure), Don Wong Tao (Yellow Faced Tiger), Chan Wai Man (The Handcuff), Jimmy Wang Yu (A Man Called Tiger), Dorian Tan Tao Liang (Hand of Death) and Yue Bing Lung (The Association) to lead some of the studio’s most high concept projects. Heck, they even nabbed one-time Bond, George Lazenby (Stoner), to gain some much needed, world-wide momentum. Despite some minor hits, none of these guys were able to truly capture the electrifying charisma, intense energy, and most importantly, the enormous box office return that Lee delivered. It wasn’t until a year or two later that Sammo Hung (not as a bad guy or a choreographer, but as a leading man) and Jackie Chan came on board to make Golden Harvest the powerhouse that it once was in the early 70s; but before this was to happen, Golden Harvest took one last stab at creating magic by bundling up some of the aforementioned names into an ensemble project titled A Queen’s Ransom. In A Queen’s Ransom, a terrorist from Ireland (George Lazenby) leads a group of deadly mercenaries to assassinate the Queen of England. Each of the men have their own special skill: Miyamoto (Cheung Pooi Saan), a Japanese explosives expert; Ram (Bolo Yeung), a Thai boxing champion; Chen Lung (Peter Chan), a Filipino sniper; and Shark (Jimmy Wang Yu), a Viet Cong guerilla warfare expert. With the help of a bar girl (Tien Ni), Hong Kong police officials (headed by Ko Chun Hsiung and Charles Heung Wah Keung) must race against time and intercept the bad guys before they get to the Queen; little do they know, the bad guys have other sneaky plans up their sleeve. A Queen’s Ransom definitely starts off on a high note, but goes nowhere but downhill after the first 30 minutes. With its cool title, promising plot and a diverse, all-star cast – including Angela Mao (Stoner), Dean Shek (Drunken Master) and exploitation favorite, Judith Brown (of The Big Doll House fame) – you would think the film would be full of wall-to-wall mayhem, but nope, 85% of it is nothing but dialogue. Normally, I’m more concerned with the overall pacing of a film, so I don’t need a lot of killings and beat ’em ups to hold my attention; but with A Queens Ransom, you have all these stars that are associated with some of the most memorable action movies of all time, so naturally, I found myself wanting, waiting and begging for some kind of notable fight or action sequence to happen. Eventually, it does happen, but when it arrives, it’s sloppy, sluggish and easily forgettable. Unlike Stoner and Man from Hong Kong, the absence of Sammo Hung’s choreography is brutally evident. The difference between what Lazenby was physically capable of in Stoner, and what he does in A Queen’s Ransom, is night and day. It’s no wonder Sammo’s name was associated with just about every Golden Harvest actioner of the 70s. He made people, no matter what skill level, look convincing. Instead of Sammo, Lu Tsun handles the choreography, which is crude in every sense of the word. The fact that we’ve never heard of this guy shouldn’t be a big surprise. I suppose I’d be thinking differently if the non-action scenes were done with more quality in mind, but then again, this is a 70s Golden Harvest flick, and not a well-written episode of Mission: Impossible or The Man from U.N.C.L.E. As it stands, A Queen’s Ransom is filled with a rushed screenplay, careless plot holes and haphazard directing. A Queen’s Ransom is the third and final film Lazenby would appear in for Golden Harvest studios. After trying to squeeze whatever star power was left in Lazenby with Stoner and Man from Hong Kong, it’s apparent the studio no longer knew what to do with him; so A Queen’s Ransom was produced, which resulted in Lazenby looking like a wooden bad guy with limited screen time. If you’re wondering if the actual Queen Elizabeth II makes an appearance, she certainly does. However, her “role” is nothing but stock footage (mostly filmed from a distance) during her 1975 visit to Hong Kong, which was spliced into the actual film (a la Bruce Lee’s funeral footage in Game of Death). At the end of the day, I’d be a fool not to recommend A Queen’s Ransom. Despite being a job to sit through, you can’t deny the film’s dodgy charm and historical spot in the Golden Harvest catalogue. Just be warned, there’s a reason A Queen’s Ransom remains obscure, despite its international star power. Jeff Bona‘s Rating: 5/10 |
The acclaimed ‘Mifune: The Last Samurai’ hits DVD in April Posted: 21 Dec 2016 01:18 AM PST Mifune: The Last Samurai, a new documentary by Academy Award-winning filmmaker Steven Okazaki (Heroin: Cape Cod, USA), hits DVD on April 25, 2017. Mifune: The Last Samurai explores the accidental movie career of Toshiro Mifune, one of the true giants of world cinema. It also features interviews with such luminaries as Steven Spielberg and Martin Scorsese, plus a narration by Keanu Reeves. Mifune made 16 remarkable films with director Akira Kurosawa during the Golden Age of Japanese Cinema, including Rashomon, Seven Samurai and Yojimbo. Together they thrilled audiences and influenced filmmaking around the world, providing direct inspiration for not only The Magnificent Seven and Sergio Leone’s Fistful of Dollars, but also George Lucas’ Star Wars. Pre-order Mifune: The Last Samurai from Amazon.com today! |
‘Expendables 4’ will be exploding onto screens in 2018 Posted: 21 Dec 2016 12:00 AM PST Despite Expendables 3’s box office belly flop two years ago – possibly due to the film’s online leakage, according to Lionsgate – Sylvester Stallone has been secretly developing the 4th installment. After the fan backlash of Expendables 3’s PG-13 rating, Stallone stated that he’s going back to making the next installation R-Rated: “If I do another one it’s going to be a lot bloodier… hardcore R.” He added (via Crave): "I believe it was a horrible miscalculation on everyone's part in trying to reach a wider audience, but in doing such, diminish the violence that the audience expects. I'm quite certain it won't happen again." The fact that the recent release of Marvel’s Deadpool became the third R-Rated movie to cross $300 million domestically (The Passion of the Christ and American Sniper are #1 and #2, respectively), making Expendables 4 R-Rated is practically a done deal. Stallone also mentioned the possible addition of Jackie Chan, who has been linked to the franchise since the original Expendables: “We’ve always wanted to use Jackie Chan. The only reason we didn’t is because there really wasn’t a part big enough for him, because we had so many actors. But in the next one, we are going to reduce the actors, and let’s just say, expand the screen time of each star.” In addition to Chan, other names – such as Dwayne Johnson, Hulk Hogan, Christopher Lambert, Jean Reno, Pierce Brosnan, Donnie Yen, Steven Seagal, Jack Nicholson, Clint Eastwood, Hulk Hogan, and even Manny Pacquiao – have been considered for the franchise (see our updates regarding Expendables casting here). During a recent Reddit AMA (Ask Me Anything), Steven Seagal was asked if he’d be down for Expendables 4; Seagal simply replied: “I will not be doing Expendables 4.” No reason was implied or given. Updates: Expendables 4 is definitely happening. According to THR, Splendid Film has picked up rights for the film across German-speaking Europe. The film is set for a 2018 release. |
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