Latest Movie News From Moviefone |
- 'Mockingjay' Tops 'Guardians of the Galaxy' as 2014's Highest-Grossing Film
- Tom Felton Loves These 5 Against-All-Odds Movies
- Chris Pratt, Chris Evans Make Superhero-Themed Super Bowl Bet (and Everybody Wins)
- Kaya Scodelario May Play Female Lead in 'Pirates of the Caribbean 5'
- Simon Pegg to Pen 'Star Trek 3' Script
- 'Glee' Alum Melissa Benoist Will Play CBS's 'Supergirl'
- Weekend Movies & TV: 'Mortdecai,' 'Cake,' 'Black Sails,' & More (VIDEO)
- Ellie Kemper Takes on NYC in 'Unbreakable Kimmy Schmidt' Trailer (VIDEO)
- The 17 Best and Worst TV Presidents
- 'Mortdecai' Review: Johnny Depp Is Very Silly Indeed
- 'American Horror Story: Freak Show' Recap, Episode 13: 'Curtain Call'
- 15 Laughable Blunders From Your Favorite '90s Shows
- Best of Late Night TV: Jennifer Aniston's Lip Flip and Jennifer Lopez's Gigli Shade (VIDEO)
| 'Mockingjay' Tops 'Guardians of the Galaxy' as 2014's Highest-Grossing Film Posted:  Katniss Everdeen has outdone Peter Quill: "The Hunger Games: Mockingjay - Part 1" has officially surpassed "Guardians of the Galaxy" as 2014's highest-grossing film. The tallies are almost identical, but "Mockingjay" has come away with the slight upper hand, raking in $333.18 million at the domestic box office since its November 21 bow. That's only incrementally better than "Guardians," which has so far made $333.17 million in North America, but good enough for the win. Deadline reports that this is nothing new for Katniss and co., who also bested Marvel in 2013, when "The Hunger Games: Catching Fire" initially lost out to "Iron Man 3" in the box office war, before claiming victory in January. And it marks the second year in a row that a female-led flick has taken the box office crown, a big coup in diversity-challenged Hollywood. There will be another showdown between the two companies next year, too, since Marvel has "Avengers: Age of Ultron" due out on May 1, and "The Hunger Games: Mockingjay - Part 2" is coming on November 20. Whichever one reigns supreme, it looks like we're in for another year of big blockbusters. [via: Deadline] Photo credit: Lionsgate This posting includes an audio/video/photo media file: Download Now |
| Tom Felton Loves These 5 Against-All-Odds Movies Posted: You may know him as Draco Malfoy, but Tom Felton has been keeping plenty busy since his "Harry Potter" days. Since wrapping up the final installment of the hit franchise in 2011, the actor has appeared in "Rise of the Planet of the Apes" (2011), "The Apparition" (2012), "Belle" (2013), and more. This winter, Felton finds himself adrift at sea in the dramatic "Against the Sun." The WWII-set tale follows Felton and two fellow Marines stranded in the South Pacific with no food and only a raft to keep them afloat in shark-infested waters. To celebrate the release of his new movie, we asked Felton for his five favorite movies about characters left stranded and fending for their lives. Check out the list above, and watch the trailer for "Against the Sun" below! "Against the Sun" arrives in theaters and VOD January 23.  This posting includes an audio/video/photo media file: Download Now |
| Chris Pratt, Chris Evans Make Superhero-Themed Super Bowl Bet (and Everybody Wins) Posted:  Chris Pratt and Chris Evans are two of Marvel's biggest on-screen stars at the moment, and the actors behind Star-Lord and Captain America are also off-screen buddies, too. But the twosome are currently at war over football loyalties, and have made a bet on the upcoming Super Bowl that's both silly and sweet in equal measure. Pratt is a diehard Seattle Seahawks fan, and Evans loves the New England Patriots. After each team secured its bid to the NFL championship game, Evans couldn't help but take Pratt to task on Twitter, taunting his fellow actor. Pratt responded in kind, telling Evans that Seattle quarterback Russell Wilson was the real Captain America. The back and forth escalated into a bet between the actors, but since both Pratt and Evans are good guys, they couldn't help but turn humiliation of the other into a benefit for local sick children. Pratt's already shown that he's a real-life superhero when it comes to interacting with kids, especially during his "Guardians of the Galaxy" press tour, so this bet comes as no surprise. And we have a feeling that both actors will end up coming through in some way for children in need, regardless of the outcome of February's game. [via: Vanity Fair] Photo credit: Getty Images This posting includes an audio/video/photo media file: Download Now |
| Kaya Scodelario May Play Female Lead in 'Pirates of the Caribbean 5' Posted:  "Pirates of the Caribbean: Dead Men Tell No Tales" may have found its female lead. Deadline reports that "The Maze Runner" star Kaya Scodelario is "in early talks" to take the part. No character description was provided. The film has been quickly shoring up its cast in recent months, with Javier Bardem rumored to be playing the villain, Captain Brand. Aussie actor Brenton Thwaites has also reportedly joined the ensemble, and original series star Orlando Bloom may also be returning to the franchise. Of course, all that is secondary to Captain Jack Sparrow, who'll be played once again by Johnny Depp. It's unclear what sort of shenanigans the pirate will find himself involved in this time around, but at this point in the series's life, does the plot really matter? The fifth outing in the franchise, "Pirates of the Caribbean: Dead Men Tell No Tales" is due in theaters on July 7, 2017. [via: Deadline] Photo credit: Getty Images This posting includes an audio/video/photo media file: Download Now |
| Simon Pegg to Pen 'Star Trek 3' Script Posted:  Scotty is trading in engineering for screenwriting: Simon Pegg, who plays the Scottish member of the Enterprise crew, will co-write the script for the upcoming sequel "Star Trek 3." Pegg is no stranger to screenwriting, penning the scripts for Edgar Wright's Cornetto Trilogy films "Shaun of the Dead," "Hot Fuzz," and "The World's End" with the director; he also wrote the script for 2007 comedy "Run Fatboy Run." He's played Scotty in J.J. Abrams's reboot of the "Star Trek" franchise since 2009, most recently reprising the character in 2013's "Star Trek Into Darkness." He'll once again play the character in the threequel. Deadline reports that Pegg will co-write "Star Trek 3" along with Doug Jung, who created TNT series "Dark Blue" and wrote a movie called "Diamond" for "Trek" studio Paramount and production company Bad Robot. The duo has reportedly just begun the writing process, according to Deadline. Justin Lin ("Fast & Furious") is on board to direct. "Star Trek 3" is currently aiming for a July 8, 2016 release. [via: Deadline] Photo credit: Getty Images This posting includes an audio/video/photo media file: Download Now |
| 'Glee' Alum Melissa Benoist Will Play CBS's 'Supergirl' Posted:  CBS has finally found its "Supergirl": Melissa Benoist. The young actress, known for her stint on the later seasons of "Glee" and a supporting role in the Oscar-nominated flick "Whiplash," will play the titular heroine in the new CBS show based on the DC Comics character. Benoist reportedly beat out a host of other contenders, after an intensive search for the right actress to fill the role. The series focuses on Kara Zor-El, Superman's cousin, who also escaped Krypton before the planet exploded. Per the series's official synopsis: "Since arriving on Earth, she's been hiding the powers she shares with her famous cousin. But now at age 24, she decides to embrace her superhuman abilities and be the hero she was always meant to be." "Supergirl" was co-created by Greg Berlanti (who's shepherded successful CW comic series "Arrow" and "The Flash") and Ali Adler. No word yet on a premiere date; stay tuned for more details. [via: HitFix] Photo credit: Getty Images This posting includes an audio/video/photo media file: Download Now |
| Weekend Movies & TV: 'Mortdecai,' 'Cake,' 'Black Sails,' & More (VIDEO) Posted: This weekend, Johnny Depp stars as an eccentric, mustachioed art dealer in the action-comedy "Mortdecai," Jennifer Aniston grapples with chronic pain and tragedy in "Cake," the pirate adventure series "Black Sails" returns for Season 2 this Saturday at 9 p.m. ET on STARZ, and Blake Shelton hosts and performs on "Saturday Night Live" at 11:30 p.m. ET on NBC.  Also in theaters this weekend:
Also on TV this weekend:
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| Ellie Kemper Takes on NYC in 'Unbreakable Kimmy Schmidt' Trailer (VIDEO) Posted:  The first trailer for Tina Fey's new Netflix comedy, "Unbreakable Kimmy Schmidt," has finally arrived, and proves that fans of Fey's former NBC sitcom "30 Rock" should feel right at home with the series. Ellie Kemper stars as the titular character, a young woman who's been trapped in an underground bunker by a doomsday cult for 15 years. Finally broken free, Kimmy heads off to New York City to start over, and get reacquainted with life above ground. Fey and "30 Rock" co-creator Robert Carlock are both producing "Kimmy," and the zany energy they brought to their former collaboration is all over this new series. In the trailer, we see Kimmy delight in living in someone's closet, freak out over velcro, and misunderstand a construction worker's catcalls; she begins nannying for a snooty socialite played by Jane Krakowski, who seems every bit a Jenna Maroney 2.0 as she explains that Kimmy may have to settle for marrying "one of those off-brand Kennedys." But Kemper keeps Kimmy the same wide-eyed innocent that she was back in that bunker -- just with a bit more of a backbone now. As she explains to her new roommate, Titus (Tituss Burgess, better known as D'Fwan on "30 Rock"), "Life beats you up. You can either curl up in a ball and die, or you can stand up and say, 'We're different and you can't break us!'" The entire first 13-episode season of "Unbreakable Kimmy Schmidt," which is moving from NBC to Netflix, premieres on the streaming service on March 6. Photo credit: YouTube This posting includes an audio/video/photo media file: Download Now |
| The 17 Best and Worst TV Presidents Posted: The president of the United States used to be such a lofty figure, so far removed from the fantasy life of the American people, that he (or she) was seldom portrayed as a recurring character on TV dramas. But somewhere between Bill Clinton's saxophone solo on the old Arsenio Hall late-night talk show and Barack Obama's interview with comic Zach Galafianakis on "Between Two Ferns," the chief executive became a TV pop culture staple. These days, you can barely change the channel without coming across a small-screen president, whether on ABC's "Scandal," CBS' "Madam Secretary," or NBC's "State of Affairs." Not to mention the about-to-launch seasons of Netflix's "House of Cards" and HBO's "Veep," whose ambitious lead characters (played by Kevin Spacey and Julia Louis-Dreyfus, respectively) will finally be settling into the Oval Office in this year's story arcs. Of course, TV presidents are all over the map, and not just in the red-state-blue-state sense. Some are feckless, some faultless, and some funny. Here's how some of our favorites rate in the polls, from worst to best.  This posting includes an audio/video/photo media file: Download Now |
| 'Mortdecai' Review: Johnny Depp Is Very Silly Indeed Posted:  The ad campaign for "Mortdecai," the new Johnny Depp comic caper film, is so befuddling, both opaque and overbearing, that a recent Vulture article spent several hundred words trying to decode what, exactly, the movie was and why the powers that be behind said movie were content with selling the project based on large photos of the very handsome cast (also included: Gwyneth Paltrow, Olivia Munn, Ewan McGregor) sporting cartoonish mustaches. This is a shame, because the movie is an undeniably charming, frothy affair, a zippy, inventive, frequently funny international romp that recalls both the "Pink Panther" and "Austin Powers" franchises, while somehow being considerably stranger than either.Depp plays the title character, a kind of bone-headed aristocratic art dealer who trades in stolen antiquities. At the beginning of the movie, he's trying to screw over some Chinese gangsters, since he's in deep debt with the British government and his sprawling estate is threatened to go under. He's got a brutish man servant/personal goon named Jock Strapp (Paul Bettany), who usually comes to his rescue, which in the case of this opening sequence means that he gets punched in the face a bunch of times and set on fire. (This sequence feels purposefully reminiscent of the beginning of "Indiana Jones and the Temple of Doom," fitting, perhaps, because "Mortdecai's" director David Koepp wrote the last adventure, "Indiana Jones and the Kingdom of the Crystal Skull.") When Mortdecai returns to his estate, he greets his wife (Paltrow), who is disgusted by his new mustache. Soon enough he's embroiled in an even lengthier, more labyrinthine caper, this time involving a stolen Goya painting that is said to have had, during the course of its life, the code to a secret Nazi treasure scribbled on the back of it. This, of course, means that all sorts of nefarious underworld types are after the painting, and that Mortdecai is under the watchful eye of a British investigator (McGregor, in stuffy straight man role), who also happens to be in love with Mortdecai's wife. Eventually Jeff Goldblum shows up as a scheming America and Munn appears as his sex-crazed daughter. There's an anarchic craziness to "Mortdecai" that you have to appreciate, even if you don't love it. Depp has been accused of exclusively being interested in dressing up and speaking with the most ridiculous accent imaginable. To a degree, this is a fair assessment, but within these constraints, he's also pushed things to a deliriously bizarre degree. Just look at last year's micro-budgeted horror comedy "Tusk," or indeed his work here, where he sports a roiling oil slick of hair, a Letterman-esque gap in his front teeth, and an accent so effete that you can picture every word that comes out of his mouth accompanied with its own doily. His characters aren't merely arch buffoons, they're their own species. Increasingly, Depp isn't merely performing, he's creating performance art, and in some pretty mainstream movies at that. (Just re-watch "Dark Shadows" or "The Lone Ranger," two brilliant, wholly overlooked studio duds. His performances are fearless and terrific but also, you have to wonder, who signed off on this?) Maybe the studio thought that "Mortdecai" would be a really-for-real franchise, hence the assumption that unaware audiences would simply go along with a film whose marketing push assumes that all you need is the title and those mustaches. The film was based on a trio of cultish European novels and handful of short stories and Koepp certainly has the franchise pedigree, having written entries in the "Mission: Impossible," "Men in Black," "Spider-Man," and "Jurassic Park" series. But "Mortdecai" marches to the beat of its own drummer, and one that doesn't exactly align with the tastes of modern audiences. There's a huge debt owed to Blake Edwards and Peter Sellers's "Pink Panther" series, so much so that the word homage doesn't seem strong enough ("photocopy" might be too harsh), with enough winks and nods to the James Bond franchise and other espionage tales that it bears more than a passing resemblance to Mike Myers's "Austin Powers" films. But there's also something more here, something grander and stranger. The film moves at a breakneck pace, propelled in part by a jazzy score co-authored by "Uptown Funk" hit-maker Mark Ronson, unwilling to linger, for even an extra second, on a gag or location that doesn't work. Instead, like the character, "Mortdecai" gets in, messes around, and gets out. And there's a sweetness to the movie's old-fashioned nature. Sure, there might be numerous dick jokes and a running gag that Jock has sex with every woman he encounters, but Mortdecai is deeply in love with his wife and never strays (well, almost never) -- even if she hates his beloved mustache. And if it's one thing "Mortdecai" has in spades, it's heart. Yes it's funny and energetic and bold but it is mostly very, very sweet and very, very silly. Depp is a rapscallion for sure, but he's one who seeks revenge on the man lusting after his wife by attempting to trick him into eating foul cheese. It's not exactly the toothiest humor, but that's OK. The real world is harsh enough. "Mortdecai" is a gleeful, globe-spanning comic adventure that is daft and diverting. You might not remember it a week later, but while watching it, it's hard to not have a really good time. Bottom line: Forget the mystifying ad campaign surrounding the film, "Mortdecai" harkens back to films like "The Pink Panther" series (with a dash of "Austin Powers" thrown in). The cast is uniformly terrific (and clearly having the time of their lives) and Depp is an unparalleled goofball. It shouldn't work as well as it does, but nothing in "Mortdecai" is particularly easy. This posting includes an audio/video/photo media file: Download Now |
| 'American Horror Story: Freak Show' Recap, Episode 13: 'Curtain Call' Posted:  Step right up! Step right up! Here it is folks, the moment you've all been waiting for - the big finale to the greatest (or, at the very least, goriest) show on earth! That's right, "American Horror Story: Freak Show," the somewhat uneven fourth season of Ryan Murphy and Brad Falchuk's ingenious horror anthology, came to a close last night with an episode entitled "Curtain Call." It was a profoundly disturbing hour-and-17-minutes (hey, Ryan Murphy doesn't play by anyone's rules) but, in the series' constant need to shock and surprise, ended with a bittersweet tone that had us holding back tears. Yes, seriously. Shall we begin? Dandy's Cabinet of Curiosities After last week's episode ended with Elsa selling the freak show to that dastardly Dandy, it was anybody's guess as to how that would play out. And it did play out somewhat surprisingly - after Dandy complained about not selling enough tickets, the freaks revolted, first by kicking the preppy villain into the dirt and then by collectively quitting. The best moment from this dust-up was when Paul the Illustrated Seal, looking down at Dandy, spits in his face and says, "You're boring." Of course, after that creepy title sequence (one last time!), we get a brief flash to Hollywood, where Elsa is toiling (unsuccessfully) to break into show business, and then back to the freak show. Dandy is putting on his make-up for opening night, even though nobody is scheduled to show up... and then he picks up his shiny gold revolver, stalks into the campgrounds and starts murdering everyone. The calmness (he's whistling) and exactitude of his massacre was what left us particularly chilly, although the sheer length of the killing stretched credibility (after all, his revolver has, what, six shots, and he was able to kill almost every freak?) The only freaks to get away unscathed were Bette and Dot, Desiree, and Jimmy, who shows up late to the camp with his new wooden hands and lets out a blood-curdling "Nooooooooo!" So let us please take a moment to mourn Amazon Eve, Paul the Illustrated Seal, Legless Suzi, Toulouse, Penny (what was her freak name? Penny the Illustrated Lizard, I'd imagine), Ima Wiggles, and some other random freaks and carnie folk whose names I don't know. [moment] The Wet Wedding If "Game of Thrones" can have The Red Wedding and The Purple Wedding, then certainly "American Horror Story: Freak Show" deserves The Wet Wedding. After a shock cut to Bette and Dot marrying Dandy (who is positively aglow at the prospect of "freak babies"), we settle into a scene of domestic bliss: Dandy and Bette and Dot sharing dinner. The tables, of course, are soon turned. They've poisoned Dandy ("You put something in my bubbly") and Desiree shows up (as a maid) with Jimmy (as a butler - nice callback to the end of "American Horror Story: Coven") to get their revenge. As Jimmy says, his mother would have wanted Dandy's murder to be "theatrical." So, of course, they chain Dandy inside Houdini's Escape Tank and fill it with water. Dandy is assured of his role, until the bitter end. "You can't punish a man for fulfilling his purpose," he cries out. Then the three (four?) of them sit down to watch Dandy drown. The shot of Angela Bassett eating popcorn while watching him suffocate is what will keep me warm on these cold winter nights. But the best was the exchange following his demise: Jimmy: "Heck of a show." Desiree: "That boy is a star." Hollywood, 1960 From Dandy's spectacular death, we jump forward in time and across the country, to Hollywood, 1960. Old timey newsreel footage introduces us to Elsa's new life, as the "Queen of Friday Night," an entertainer who has put out three-best selling records and is about to get her own star on the Hollywood Walk of Fame. The young executive who took pity on her in the previous segment (David Burtka, who in real life is "Freak Show" guest star Neil Patrick Harris' husband) is now her husband and agent. She has everything! When we catch up with Elsa, she is filming a coffee commercial that she deems misogynistic. She screams at everyone, including her husband (who a brief flash shows us is very into BDSM). She retreats to her sunny estate, where she meets up with Massimo, who has spent his time since crafting Jimmy's hands, working for the United States government. He's been building houses that they explode with atomic bombs. "Took us ages to build these towns and they blew it up," he says mournfully. He then confides that he has cancer and has been given a month to live, "And then I will be gone." Elsa says that she is "bored and alone," even with all the fame and success, and then thinks back to when Ethel made her a birthday cake. It was a lovely moment that spoke to the heart of the show: the relationship between Ethel and Elsa. If "American Horror Story: Freak Show" has been an extended metaphor for outsiders and the way that different families can be formed, then Elsa and Ethel was the family's loving same sex parents, each having a hand in the maturation and development of the family and its various members. The fact that Elsa ended up killing Ethel, the one person who understood and loved her wholeheartedly, is painful and you can tell that Elsa is in constant torment over what she had done. When Elsa gets back to the house, her husband and the head of the network inform her that an investigative journalist has uncovered the snuff films from her past (including the film where some sickos chainsawed her legs off). This same journalist has also discovered her freak show-owning past. The head of the network cruelly tells her that, "They're all dead... It was some kind of massacre." Elsa erupts into tears. The suit shoots back: "There's a morals clause in your contract." That's when Elsa sees a way out: she will perform on Halloween. This, of course, was a callback to the "Edward Mordrake" two-part Halloween episode, built around a superstition that if you perform on Halloween, an ancient freak named Edward Mordrake (Wes Bentley, once again) will come and judge you for your sins and likely take you to the netherworld. That's what happened to Twisty the Clown and that is what will happen to Elsa (she is sure of it). One Last Show Elsa is once again in her white suit, as she sings another David Bowie number ("Heroes" this time). We briefly flash around to the other survivors of Dandy's assault: Desiree has children (yay!) and is shacked up with Angus Jefferson (double yay!). The family is walking by an electronics store and Desiree peers in, mesmerized by Elsa's live performance. Angus walks up and says that the television they have at home is just fine. Desiree looks at him, beaming, and says, "Everything we got at home is just fine." (Now I'm getting choked up again!) Then we are in a home, with Jimmy sitting down to watch the show. Then a figure emerges, obscured at first, and then appearing to be pregnant - it's Bette and Dot! Dot looks at the television and then turns it off, "We've seen this show before." On stage, an otherworldly fog creeps into the studio (a technician cries, "The mist doesn't come up until the goblin skit!") Soon enough, Edward Mordrake is there, along with Twisty and a whole host of ghoulish freaks. Elsa is ready. Mordrake will kill Elsa, but, as he says, "Your place is not with us." Instead, Elsa is whisked away to a netherworld version of her own freak show. Everyone she lost is there (Ma Petite!) and, most crucially, she's reunited with Ethel. Their exchange was incredibly touching and profound (so much so that I didn't write any of it down), but the basic gist was that Elsa was absolved from her sins and will get to perform, to a packed house, each and every night. "Stars never pay," Ethel said, quoting Elsa. As Elsa got ready, the familiar strains of "Life on Mars" started to play. She rolled out on stage on her makeshift rocket ship. The audience rose to their feet. Elsa, and Jessica Lange, is aglow. And right as she's about to open her mouth to sing, the screen cuts to black. Worth noting This will supposedly be Jessica Lange's last outing for "American Horror Story," and if that's true then she certainly went out on a bang. Since season 2 the show has been a love letter to the actress, inked in the loop-de-loop calligraphy of Ryan Murphy. And this was the wonderfully decadent send-off. Overall, the season had its ups and downs. It was rocky, for sure, but maintained an essential level of quality akin to the first season (and unlike the first season, it didn't botch the finale). The varying levels of excellence reaffirmed my love for season two's dark and emotionally unsettling "Asylum;" what a bleak and nasty bit of business that was. As far as I saw, there weren't any clues to what the next season could pertain to. The top hat on the coffee cup remains the singular bit of evidence for where the show will be headed. (Has anyone ever hypothesized that it could possibly feature the American exploits of Jack the Ripper following his adventures in England?) I always thought that at some point there would be a season set in the American Southwest, what with its rich, largely Native American mythology and incidents like the nuclear bomb development and testing, and I of course wonder if the story Massimo told was a tip of the hat to that possibility. Who knows. It's a shame that "American Horror Story" lost one of its most pivotal creative collaborators this season - Alfonso Gomez-Rejon, who directed every third episode of "Coven" and helped develop the series' rococo visual style. This year he only directed a single episode, and his lovely flourishes would have really made this episode sing. (There are a couple of nice moments but overall this was pretty flatly photographed.) Gomez-Rejon's relationship with Murphy became stressed after creative differences on the Murphy-produced remake of "The Town That Dreaded Sundown" that Gomez-Rejon directed. (The director has a movie at Sundance this year, too.) Hopefully cooler heads will prevail and Gomez-Rejon and Murphy will kiss and make-up for next season... Whatever it may be. This posting includes an audio/video/photo media file: Download Now |
| 15 Laughable Blunders From Your Favorite '90s Shows Posted: Nobody is perfect... not even your favorite '90s shows. While "Friends" stole our hearts and "Family Guy" had us howling with laughter, between the heartbreak and the side-splitting these classics sitcoms were making a few mistakes. Ever notice the major continuity error in "The Simpsons" opening credits? How about that blown storyline in "Will & Grace"? In case you missed the mess-ups in your favorite '90s sitcoms, here's a gallery to get you up to speed. As usual, all photos are courtesy of MovieMistakes.com.  This posting includes an audio/video/photo media file: Download Now |
| Best of Late Night TV: Jennifer Aniston's Lip Flip and Jennifer Lopez's Gigli Shade (VIDEO) Posted:  If you're like us and value your sleep, you probably nodded off into your Ambien dreamland before the party started on post-prime time TV. Don't worry; we've got you covered. Here's the best of what happened last night on late night. Time for a game of Lip Flip on "The Tonight Show!" This week's victim of lip switcheroo goodness was none other than Jennifer Aniston, who totally killed it. Her Jimmy-induced musings on Bonnaroo will forever be etched in our memories. Lea Michele sang "Let It Go" during a recent episode of "Glee," and yes, she sounded amazing. She also told Jimmy Kimmel that she vomited everywhere while performing it. So, you know. Good times. (Note: musings on vomit start around 1.5 minutes in.) In other news, Dr. Drew Pinsky also stopped by "Jimmy Kimmel Live" to fondle some footballs and explain how you (yes, you!) can determine if you're suffering from "deflated balls." Jennifer Lopez visited "Late Night" to talk about "The Boy Next Door," but more importantly she talked about "Gigli," otherwise known as The World's Worst Movie -- though Jenny From The Block insists that "there are worst movies than Gigli out there." Oh, and in this clip J.Lo also reacts to the news that Sir Mix-a-Lot's "Baby Got Back" was inspired by her. Let's just say she seems unimpressed. This posting includes an audio/video/photo media file: Download Now |
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