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Monday, May 25, 2015

Latest Movie News From Moviefone

Latest Movie News From Moviefone


What's New on Netflix, TV, Digital, and DVD/Blu-ray This Week: May 25 - 31

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arya stark on game of thronesAt a loss for what to watch this week? From new DVDs and Blu-rays, to what's streaming on Netflix, we've got you covered.

TV Worth Watching

"Critics' Choice Television Awards" (Sunday on A&E at 8 p.m.)
FX's final season of "Justified" and HBO's "Olive Kitteridge" have the most nominations going into this year's live show, which is hosted by Cat Deeley. A one-hour red carpet special will air before the awards are handed out. Check out the nominations. Hopefully there will be some memorable/juicy moments and speeches.

"Game of Thrones" (Sunday on HBO at 9 p.m.)
If you're not into awards shows, or you just want something to cut to during commericals or boring speeches, "Game of Thrones" will be airing Season 5, Episode 8, "Hardhome" on May 31. In this episode, Arya will make progress in her training, Sansa will confront an old friend, Cersei will "struggle," and Jon will travel -- quite possible to Hardhome itself, which is a wildling/free folk village. GOT only does 10 episodes a season and the OMG factor tends to increase toward the end.

"Louie" (Thursday on FX at 10:30 p.m.)
The eight episodes of "Louie's" fifth season conclude on May 28 with "The Road Part 2." In that half-hour ep, we follow Louis C.K.'s Louie as he continues his work on the road.

New on DVD and Blu-ray

"Sons of Liberty"
History's five-hour miniseries -- starring Dean Norris, Ben Barnes, Ryan Eggold, Henry Thomas, Jason O'Mara, Rafe Spall and Michael Raymond James -- is out this week, with more than 30 minutes of extras in the Blu-Ray and DVD. Featurettes include "Lensing Liberty: The Making of Sons of Liberty," "Men of Independence: The Historic Figures of Sons of Liberty," and "The Choreography of War: Creating the Battles and SPFX of Sons of Liberty."

Here's an exclusive clip from the Blu-ray: Sons of Liberty - Ben Barnes on Bringing History to Life

"Ballet 422"
Have you ever wanted to go behind-the-scenes of a major ballet company? "Ballet 422" takes viewers from the first rehearsal to the world premiere of a New York City Ballet production as up-and-coming choreographer Justin Peck creates a new work. Get unprecedented access into this world as Peck collaborates with musicians, costume designers, lighting technicians, and his fellow dancers.

"Cut Bank"
Poor Liam Hemsworth's Dwayne McLaren is stuck in "the coldest spot in the nation" -- Cut Bank, Montana -- and dreams of escaping with his lady love, Cassandra (Teresa Palmer). Things turn south when he witnesses a crime and tries to turn it into a get-rich-quick scheme, but that never works out. Bonus: the local sheriff is played by John Malkovich!

New on Netflix

"Before I Go to Sleep"
Nicole Kidman plays a woman who wakes up every day with no memory, until she suddenly starts remembering things that make her question everything. Colin Firth plays her husband (which seems like a great thing to re-learn each time you wake up) and Mark Strong is her doctor. This thriller is based on the novel by S.J. Watson and it's available on Netflix on May 27.

"Graceland"
Catch the first two seasons of USA's law enforcement drama on Netflix on May 26. That should give you plenty of time to catch up before Season 3 premieres on June 25.

"Hot Girls Wanted"
This disturbing documentary follows the lives of five young women (most 18 or 19) in the porn industry in Florida. It's available on Netflix on May 29.

New Video on Demand, Rental Streaming, and Digital Only

"Results" (iTunes)
Guy Pearce and Cobie Smulders play mismatched personal trainers in this new comedy, which is out on iTunes on May 29, the same day it hits theaters. Kevin Corrigan plays Smulders's wealthy new fitness client, and Anthony Michael Hall, Giovanni Ribisi and Brooklyn Decker also co-star. By the way, iTunes is also streaming "Club Life" (May 26) and "Survivor" (May 29) on the same day they hit theaters.

"Chappie" (M-GO)
"District 9" and "Elysium" director Neil Blomkamp and actor Sharlto Copley re-team for this sci-fi film about a childlike robot named Chappie. Dev Patel, Hugh Jackman and Sigourney Weaver also star. "Chappie" has its digital release on May 29, including on iTunes and M-GO, but it won't be out on DVD/Blu-ray, Redbox, or Netflix until June 16.

"The Duff" (iTunes)
This comedy, based on the best-selling book by Kody Keplinger, stars Mae Whitman as a high school senior whose world changes when she discovers she's considered The DUFF (Designated Ugly Fat Friend). She takes action to overthrow her school's resident Regina George-type, played by Bella Thorne. "The Duff" has its Digital HD release on May 26, and on June 9 you can get it on DVD, Blu-ray and On Demand.

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'A Beautiful Mind' Stars React to Taxi Crash Deaths of John and Alicia Nash

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Nobel Prize-winning mathematician John Nash, 86, and his wife Alicia Nash, 82 -- both subjects of the Oscar-winning movie "A Beautiful Mind" -- died Saturday, May 23 in a car crash in New Jersey. According to State Police, the taxi they were in lost control when trying to pass another car; it crashed into the guard rail and the Nashes were ejected from the taxi and pronounced dead at the scene.

Alicia was credited with saving John during his battle with schizophrenia, which was chronicled in Sylvia Nasar's biography "A Beautiful Mind" and adapted in the movie. The 2001 film was accused of revising history, but won Academy Awards for Best Picture; Best Director; Best Actress in a Supporting Role for Jennifer Connelly; and Best Adapted Screenplay. Russell Crowe was nominated for Best Actor in a Leading Role for playing John Nash.

Crowe reacted to the news of the Nashes' deaths in two tweets: Jennifer Connelly shared a statement with JustJared.com: "This is a great loss. John and Alicia Nash were an inspiration and I have deep admiration for all that they accomplished in their lives. My thoughts are with their family."

Director Ron Howard and producer Brian Grazer also reacted to the tragedy: Grazer added to Variety, "Their lives ended together in the same way that they lived. Theirs was a such a brilliant collaboration. Alicia was so powerful in enabling him to have his moments of triumph. His life was really hard. The beauty came from the power of their love to create those triumphs."

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What Happened to Disney's 'Tomorrowland' at the Box Office?

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george clooney in tomorrowlandWe're at a weird place in Hollywood history, one where an original idea, executed by some of the industry's most successful writers and directors, and starring an A-list leading man, is considered an almost foolish risk -- especially in a summer season marked by blockbuster sequels that are considered safe by comparison. So it is with "Tomorrowland," Disney's big question mark of a Memorial Day weekend movie.

It was actually easier to predict how the reboot of a 33-year-old horror franchise ("Poltergeist") would open this weekend, or the sequel to a franchise whose last installment came out 30 years ago ("Mad Max: Fury Road") would open last weekend, than to guess how "Tomorrowland" would do. Indeed, predictions for "Fury Road" and "Poltergeist" (which opened this weekend with an estimated $23.0 million) were almost exactly on target. "Tomorrowland," however, opened on the low end of expectations, with an estimated $32.2 million through Sunday and a likely $40.7 million for the four-day holiday.

But maybe, instead of being surprised that pundits overestimated "Tomorrowland's" prospects, we should be surprised that the film did as well as it did. With its mysterious, futuristic sci-fi premise, "Tomorrowland" faced a number of marketing challenges, and it's not clear that Disney handled them all successfully. Indeed, the studio may have dropped the ball a couple of times. In hindsight, though, the film's rollout offers several lessons. Among them:

Secrecy is not always a good idea. You could think of this as a lemons-into-lemonade marketing approach. The premise of "Tomorrowland" is hard to explain in a sentence or a 30-second ad because of the story's complex mythology, so hiding it behind intrigue could have been a smart move. More likely, it's because secrecy has been standard operating procedure for co-screenwriter Damon Lindelof, from his days running TV's "Lost" to "Prometheus" and "Star Trek Into Darkness" (even though those films were extensions of well-known movie franchises). Either way, viewers may have been drawn in to see what all the mystery was about. But it also may have put off viewers who weren't sufficiently intrigued and would rather spend their hard-earned ticket dollars on a known premise, or those who saw the title and dismissed the film as yet another Disney movie based on a Disneyland attraction.

George Clooney is not a box office draw. Yes, he's the king of Hollywood, but he doesn't sell tickets in proportion to people's fascination with him as a celebrity gossip figure. His biggest hits were 14 and 15 years ago ("Ocean's Eleven" and "The Perfect Storm"). If you don't count his supporting role in Sandra Bullock's "Gravity," he hasn't had a movie open above $30 million since "Ocean's Thirteen" eight years ago. (That's also his last movie, other than "Gravity," to gross more than $100 million in North America.) Then again, that makes the $32.2 million premiere of "Tomorrowland" all the more impressive -- especially since Clooney is all but absent from the film for the first hour. Plus, as a charismatic actor, he seems to appeal equally to men and women, which is borne out by Disney exit-polling that shows an almost even split between male and female ticketbuyers for "Tomorrowland."

Tougher-than-expected competition. Not only did "Tomorrowland" have to compete against "Poltergeist," but it also had some very strong recent releases to contend with. Both"Pitch Perfect 2" and "Mad Max: Fury Road" opened very well last weekend, with "PP2" far outstripping expectations. Both held up strongly this weekend, too, with"PP2" close on "Tomorrowland"'s heels (it earned an estimated $30.3 million) and "Fury Road" taking in an estimated $23.9 million. Along with "Avengers: Age of Ultron," which crossed the $400 million threshold in domestic sales in just its fourth weekend of release, that's a lot of well-known and well-liked properties for an enigma like "Tomorrowland" to go up against.

Memorial Day openings are not a license to print money. Sure, last year, "X-Men: Days of Future Past" enjoyed a $110.6 million opening, but that was a well-reviewed sequel to a well-established franchise, not to mention a film whose casting brought together fan favorites from the older and newer installments. On the other hand, last Memorial Day also saw the dismal debut of "Blended," the third romantic-comedy collaboration from Adam Sandler and Drew Barrymore. It premiered with just $17.7 million, about a third of what their "50 First Dates" had opened with a decade earlier. Then again, reviews for that movie were terrible, and even critic-ignoring Sandler fans smelled a stinker. The moral of the story: Not even a four-day summer-kickoff holiday weekend can save a poorly made movie.

The "select" Thursday preview. Thursday-night openings have become a standard way for Hollywood to boost the weekend premiere tallies, offer an early gauge of viewer interest, and generate additional word-of-mouth from those moviegoers enthusiastic enough to want to be the first to see the film. The "Tomorrowland" Thursday screenings, however, were unusual in that, instead of taking place in all or most of the movie's 3,972 venues, Disney held them in just 701 theaters. The studio referred to this as a "special limited engagement," with the theaters supposedly limited to those palatial movie screens on which director Brad Bird's spectacle could enjoy the best possible screening conditions. (This sort of selectivity reminded me of the scene in "This Is Spinal Tap," where the band's manager is asked whether the fact that the group is playing smaller venues on its current tour means the musicians are less popular, and he spins, "No, it just means their appeal is becoming more selective.")

Yes, there could be some fanboy-servicing involved in just screening the movie in theaters where its visuals will look best (again, to get the movie's biggest potential fans a chance to generate the best possible word-of-mouth). And there could also be some obfuscation on Disney's part; the theater count was so small that box-office observers couldn't fairly compare it's Thursday-night take of $725,000 to the Thursday debuts of blockbusters that opened on four or five times as many screens. Then again, "Tomorrowland" could have earned an extra $2 or $3 million if it had played on all screens available to it on Thursday night. Did the studio not want to spend the money to launch a full Thursday premiere, or was it just worried that the numbers wouldn't be that impressive? It didn't help word-of-mouth much. The movie earned a B grade at Cinemascore, which indicates a less-than-enthusiastic set of recommendations from early viewers.

"Tomorrowland" has been in the making for at least five years. That would seem to be plenty of time for a studio that's as good at marketing as Disney is to come up with a foolproof strategy. But these days, nothing is foolproof there unless it has the names Marvel or Pixar or "Star Wars" attached. Anything beyond that comfort zone, apparently, is a steep challenge.

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New 'Black Mass' Trailer Is Surprisingly Funny, But Does It Glorify Whitey Bulger?

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The first trailer for "Black Mass" revealed the danger of sharing family recipes, and the second trailer -- released over Memorial Day weekend -- showcases Johnny Depp's Whitey Bulger making more speeches, killing more people, and charming at least one old lady.

This time, Bulger shares some not-so-wise advice for his son: "It's not what you do, it's when and where you do it, and who you do it to or with. If nobody sees it, it didn't happen." Dakota Johnson's Lindsey Cyr responds, "Jimmy, he's 6. You really think that's the best thing to be telling a kid?" Bulger's response: "Yeah."

Yeah, best to learn early not to get caught. The rest of the trailer is mostly filled with action shots, typical gangster stuff -- guns, money, club scene -- set to the song "The Devil Is a Lie" by Rick Ross featuring Jay Z, and punctuated by the reminder that this is about "The. Most. Feared. The. Most. Wanted. The. Most. Notorious. Gangster in U.S. History." Check it out:

They're definitely going out of their way to make sure we know it's cool and badass to be a gangster, even beyond casting Johnny Depp -- made less attractive by hair and makeup, but still Johnny Depp -- as the real-life South Boston criminal. The objective may not be to glorify Bulger, but it's hard to argue that the trailer doesn't sell him as a fascinating character while selling Depp as an Oscar contender.

The quip with the kid, and the scene at the end with the old lady, hint to a good amount of humor in the movie. (More shades of Jack Nicholson in "The Departed.") So far we're still only getting quick flashes of the supporting cast, including Benedict Cumberbatch, Peter Sasgaard, Joel Edgerton, etc. The trailers focus on Depp, who may indeed get himself awards for this, if he can convincingly portray Bulger and not just distract viewers with his jarring transformation. Those eyes!

"Black Mass" is scheduled for release on September 18.

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RIP, Anne Meara: Stars Tweet Tributes, Ben Stiller Thanks Fans for 'Kind Words'

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Ben Stiller SaluteActress/comedy legend Anne Meara -- who was also wife of Jerry Stiller and mother of Ben Stiller -- died of undisclosed causes on Saturday, May 23. The Stiller family shared a statement with the Associated Press, calling Jerry Anne's "husband and partner in life," adding that "The two were married for 61 years and worked together almost as long. [...] Anne's memory lives on in the hearts of daughter Amy, son Ben, her grandchildren, her extended family and friends, and the millions she entertained as an actress, writer and comedienne."

Some of those millions were her Hollywood peers, and they took to Twitter to react to the news of her death:
On Monday, May 25, Ben himself took to Twitter to share a simple thank you message, acknowledging all the love being sent to his mother:
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'Game of Thrones' Recap: Cersei's Comeuppance, Dany Meets 'The Gift'

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Poor Cersei Lannister. She's going to miss several wine-filled happy hours after "Game of Thrones" Season 5, Episode 7, "The Gift." Now all they have to do is lock up useless Tommen, and Ser Pounce and Ghost can take their rightful places as the rulers of the Seven Kingdoms.

"Game of Thrones" loves letting unlikable characters build their smug egos to stratospheric heights, only to knock them painfully down to Earth (or Westeros) with a good slap of justice. Just ask Theon Greyjoy, Joffrey Baratheon, maybe someday Ramsay Bolton (please please please) and -- this week -- Cersei Lannister. But GoT also loves reminding us that it's not so easy to peg someone as a hero or a villain -- see the unexpected sympathy we feel for Theon. Cersei may also earn more sympathy before long. Everyone loves a redemption story.
Last week's episode ended with the traumatic wedding and rape of Sansa Stark. This week ... her life did not get much better. Also, Gilly almost got raped, Ghost was a hero, Gilly had sex with Sam (his first time was a lot better than Sansa's), the woman who wanted to help Sansa got flayed and died, Bronn almost died from poison but instead got flashed and saved by the same woman who almost killed him, Melisandre now wants to kill Shireen, Lancel told the High Sparrow about doin' it with Cersei (never have sex with your cousin, kids!), Jorah Mormont and Tyrion Lannister were sold in slavery, Jorah fought in the pits in front of Daenerys Targaryen, and Tyrion and Dany finally met face to face. Tyrion was the titular "gift" and we can't wait to see what happens now that Tyrion and Dany have been introduced. (Dany, please forgive Ser Jorah. He's earned a place back in your friend zone.)

All these book twists are blowing our minds, but Dany and Tyrion getting an official meeting earns two thumbs up. (Point to ponder: Where's Varys? Still on his way to Meereen or searching for Tyrion?)

In sadder news, that wonderful great light of The Wall, Aemon Targaryen, died, surrounded by his good friends Sam and Gilly. So the world has lost a powerful, heroic Targaryen, and Sansa lost her own little candle of hope when her would-be savior died. Can anyone save Sansa there in Winterfell? Brienne is apparently just hanging out waiting for a sign that is no longer coming, and Stannis is stuck in a storm.

Read on for a recap of Episode 7:

Opening credits: We're shown King's Landing, Winterfell, The Wall, Braavos, Meereen, and Dorne. Why Braavos? Why do they show locations we don't visit?
THE WALL
To Alliser Thorne's dismay (what a pity), Tormund was unshackled and Jon Snow told Ser Alliser he has command of The Wall while Jon went with Tormund to Hardhome to try and save some free folk. Probably a bad plan to give Ser Alliser this power, even if Ser A doesn't want it. Sam gave Jon some dragonglass to help kill white walkers. Probably smart. Aemon Targaryen, not in good shape, had a nice moment with Gilly's son, and talked about his little brother, "Egg." Another twist on the book here, since it looks like there will be no sea voyage for this little group. Poor Aemon died and Sam gave a speech for him. "No man was wiser or gentler or kinder. ... He was the blood of the dragon, but now his fire has gone out. And now his watch is ended." RIP, great man. Do you think Dany can tell that the world is now short one more Targaryen? Is she the only one left or ... is there still one north of The Wall? Of course, Ser Alliser couldn't resist ruining the moment by whispering to Sam that he was losing all his friends. Should Gilly worry?

Speaking of worrying about Gilly, two guys approached Gilly -- away from Sam -- and sexually harassed her while she was trying to work. She slapped one of them. Sam came in and drew his sword. Go Sam! The guys knocked Sam down and started kicking him., so she took charge and attacked. None of the good characters can catch a break! This is why Jon can't leave The Wall. It's chaos when he goes. One of those guys beat the crap out of Sam and Gilly almost got raped (AGAIN!) but Sam got up so he could try to play the hero. It would be nice if rape and attempted rape weren't such big deals on this show, but they are plot devices nearly every week. Before Sam could even try to save Gilly, though, Ghost came in and scared the guys away. At least Ghost stayed behind to help. While Sam healed, Gilly got on top of him and gave him his first sexual experience. Yep, Sam is no longer a virgin.
WINTERFELL
Sansa woke up crying, which is basically her lot in life. Theon came in, reminded her his name is now "Reek," and she begged for his help. Reek suggested she do what Ramsay says or he'll hurt her. Sansa said he hurts her every night, it can't get worse. But Theon said it can always get worse. She asked what Ramsay did to Theon. She mentioned how she still had friends in the North and all she had to do is light a candle in the tower, so why didn't she just do it? Was she a prisoner in that room and she needed him to do it? (Yep, apparently she is a prisoner in her own ancestral home. The Stark luck continues. Arya is fortunate to be changing into someone else.)

Sansa went out in the snow to talk to Ramsay. He said she's made him very happy, but clearly this is not a mutually beneficial alliance. Ramsay said the storm is a stroke of luck for them and will help them to defeat Stannis, who is not used to this weather. Sansa brought up Walda's pregnancy and she even mentioned that Ramsay is a bastard, and Tommen too. She was bold about it, which is good. She also learned that Jon is now the Lord Commander of the Night's Watch. Spark of an idea for her to go up there? What would happen if she did, and Jon was gone to Hardhome? What would Ser Alliser do?

On that note, we had another death. The woman who wanted to help Sansa. Flayed. "Her heart gave out before I even got to her face." Ramsay told Sansa to hold on to her candles. "The nights are so long now." UGH. Reek. Stannis, get here fast. Brienne, get here fast. Someone please help Sansa.

BRIENNE
Brienne just stared out the window. Do something! Don't wait for a candle!
STANNIS' WAR CAMP
Forty horses died in the night, Davos said, and they'll lose more. Stannis is just cursed. Never back him in a fight, even with Melisandre around. For once, it'd be nice if he won the fight. Davos said they should head back to Castle Black; this isn't their time. Stannis has too much pride, he doesn't want to be the king who ran. Yeah, but now he'll be the king who lost. Stannis says we march to victory or we march to defeat but we go only forward. Davos can tell this is not 100 percent his idea, with Mel in the background. Melisandre said she has seen herself walk through Winterfell and the flayed man banner on the ground. Stannis felt her up (!) but she took the moment to basically suggest they sacrifice Shireen as their next victim of king's blood. Thankfully, that was a step too far even for Stannis.
DORNE
Myrcella visited with "uncle" Jaime, who explained why he's there to take her home. Myrcella didn't want to go there to begin with, but now she wants to stay. She loves Trystane.

Bronn was in a very different cell, but he kept singing "The Dornishman's Wife," and sort of impressed the Sand Snakes. He got very flirty with one, who bared her breast to tease him, then bared everything else. She kept asking about his arm ... she slashed him with it in the fight. Poor Bronn. He got woozy from the poison of that slash, and his nose was bleeding. The dagger she used on him was from Asshai, called The Long Farewell. A single contact brings death. She had the only antidote on her and demanded to be called the most beautiful woman in the world. Why did that work? She should've held out for more, or just let him die. But it's good to see Bronn live, even if it doesn't make much sense. Will he try to work with them now? Maybe they can form an alliance ... or a singing troupe.
MEEREEN
Poor Jorah and Tyrion had chains around their necks and hands, and were taken to a slave auction. Malko the slaver told an even taller story than Jorah and Tyrion told last week to play up Jorah's strengths as a fighter. Jorah didn't react. The poor guy has greyscale and his life as been crap after Dany kicked him out, so what does he really care what happens to him next? A guy bought Jorah and Tyrion said they had to buy him too. He beat someone up to plead his case and it worked.

Dany was engaged to Hizdahr zo Loraq (her idea) but she's still sleeping with Daario. More sexposition as they made out, with Dany making her argument for why she's marrying into a Meereenese family. Daario said she should marry him instead. She said she can't. "Then you are the only person in Meereen who is not free." Good comeback. Then he suggested she gather all the masters together in the pits and slaughter them all. She said she's not a butcher but he said all rulers are either butchers or meat. Sounds like the "you're either the butcher or the cattle" line of "The Walking Dead" Season 5.

Jorah had his gladiator moment, preparing to go into the fighting pits, in front of Dany and Hizdahr. He saw her from the backstage area, so to speak, as she watched the early fighters die. He should've gone out right when he saw her, in case she left early. He basically did just that, not waiting his turn but going out with his helmet on and Dany seemed to have a feeling like she recognized him. He went up to Dany and removed his helmet. "Get him out of my sight." Really? Even now?! "I brought you a gift." Tyrion came out on that cue, saying it's true. "I am the gift." So Tyrion finally met Dany.
KING'S LANDING
Loved seeing Olenna spar with The High Sparrow. She called him "a man of the people" who did Cersei's dirty work. She can smell a fraud from a mile away. ("A useful talent.") What does the High Sparrow/Septon want? He serves the gods, and the gods demand justice. She pointed out that The High Sparrow lives in a world of murderers and rapists and yet he singled out Loras and Margaery. She threatened them with lack of food from Highgarden. He countered that she is among the few and they are the many, and the many have stopped fearing the few.

Tommen -- utterly powerless -- had a nice chat with his mother. Apparently he was starving himself? He shouted at Cersei because he's the king and there's nothing he can do to save his queen. Tommen wants to start a war for Margaery. He loves her. It's not quite Rhaegar/Lyanna/Robert, but it's sweet. Maybe Ser Pounce can save the day, ala Ghost. Cersei said she'd burn cities to the ground for Tommen and his sister, they are all that matters. Cersei does love her kids, it's the one thing you can give her.
Littlefinger's brothel was trashed, but that's where he met with Olenna. These two should go on a road trip together, they are perfection. Olenna said their fates are joined; together, they murdered a king. If she should meet with an accident there, "they'll never even find what's left of you." Olenna wanted to know what Cersei wanted. Littlefinger gave her a gift, like he gave to Cersei. More ammunition!

To rub in her victory, Cersei visited Margaery in her cell and pretended to be horrified, bringing her leftovers from the night before. Cersei went on, putting salt in the wound, and Margaery finally shot back "GET OUT, YOU HATEFUL BITCH!" Cersei walked away all smug and satisfied, but she should've known better. She had a little talk with the High Sparrow and he went on about the history of the chapel -- and about how much Lancel had to say about her. So she got the same treatment as Margaery. Much deserved. But she's still in power bitch anger mode and just threatened her jailors.

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